I was recently approached by someone who has a fire troupe/talent agency (for lack of a better description).  She saw me street hooping with my LED hoop at a local art festival and asked me to contact her.  We spoke and she has a couple of gigs in mind where they want either hoop dancers or non fire performers (I haven't lit up yet).  She requires all of her performers to sign a non-compete agreement meaning that if I meet another performer at a gig we can't go off and start booking events together or if someone approaches me at a gig she has booked me for I have to direct them to her if they were interested in hiring me for up to 2 years from the said gig.

 

I've recently started teaching a community class and have been toying with the idea of establishing my own hoop business which I would like to include doing performances and parties.  On one hand I see this as a great way to gain experience without having to do much footwork, but on the other it may hinder me if I do decide to start my own thing.

 

Has anybody worked for a troupe/agency like this?  I would love to hear your thoughts and experiences!

 

Thanks!

Renae

Tags: agency, business, gigs, performances, troupe

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It is fairly standard for an agent to expect that any contacts made at an event they booked for you get feed back through them but i feel that unless this is the only way you will get gigs and that they will get you lots it is not worth signing a non compete agreement that stops you booking yourself out side of her agency particularly if you are thinking about starting your own troupe.

I would just talk to her and explain your situation basicly say that you are happy to sign an agreement for the first condition but you are in the process of starting your own troupe and can't sign if the agreement stops you performing outside the agency. If they really have gigs up their sleeve and really want you for them they will book you any way.

That is my experience any way. Also be wary of agents and signing things in general, particularly if you have not actually worked with them yet. Unfortunately there are plenty of dodgy agents out there. Also do make sure that they book you at market price so that you are not inadvertently under cutting yourself
That's interesting.

So how much is market price? I'm just curious.
Market price really depends on where you are.
A basic example for the min i would charge where i am for a corporate gig, doing walk by fire spinning/hooping at the entranced of a ball would be around $150 for the first hour and then $100 after that. But for a stage act or something more complicated it would be more. But this really depends on where you are.

It is a good idea to find out the average price in your area for a similar activity and keep with in that range, undercutting the market even if inadvertently hurts everyone including yourself in the end.
2 years is kind of a long time if you are already in the works of starting something on your own. However, if all the conditions are good (like price and how much of a cut do you get to keep in the end and frequency of events), I would sign it if you are looking for the experience and to get your name out there first. It could give you the security for two years while you work on establishing your own thing, especially if you are only in the stage of "thinking about it" rather than already started and have all the ground work laid for your own business. Do you know what it would take to break contract early if you wanted to split after a year or whatever? I think that would be important to find out as well.

Oh, and also, what constitutes as performing? If you are practicing in the park and end up having a handful of people looking on watching out of interest, would that be a no-no to this agency, or is it just paid gigs they want to be in control of?

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